为弘扬传统文化宏音斋一直致力于推动民族音乐的发展,复制复活传统乐器是宏音斋数十年来持续推进的项目之一,这不仅需要精湛的手艺更需要对历史文化的深入了解,宏音斋人凭借多年的积累、高超技术及对文献资料的深入理解,攻克各项难关,复制复活了大批古乐器如:现存日本正仓院中国唐代古笙竽、天坛神乐署宫廷古乐器、敦煌千年古乐器、广西壮族啵咧及苗族芦笙等。



To carry forward the traditional culture Yinzhai Acer has been committed to promoting the development of national music, musical instrument is one of the traditional copy restoration projects Wang Yinzhai decades continue to promote, which requires not only exquisite craft needs more in-depth understanding of the history and culture of the macro Yinzhai, by virtue of years of accumulated technology, superb and literature understanding to overcome the difficulties, copy, recovery of a large number of ancient musical instruments such as: existing Japan shosoin Yu Sheng Tang Dynasty, ancient China Tiantan palace Kagura Department of ancient musical instruments, Dunhuang Millennium ancient musical instrument, Guangxi Zhuang and Miao Lusheng, boo.

正仓院(笙、竽)

To carry forward the traditional culture Yinzhai Acer has been committed to promoting the development of national music, musical instrument is one of the traditional copy restoration projects Wang Yinzhai decades continue to promote, which requires not only exquisite craft needs more in-depth understanding of the history and culture of the macro Yinzhai, by virtue of years of accumulated technology, superb and literature understanding to overcome the difficulties, copy, recovery of a large number of ancient musical instruments such as: existing Japan shosoin Yu Sheng Tang Dynasty, ancient China Tiantan palace Kagura Department of ancient musical instruments, Dunhuang Millennium ancient musical instrument, Guangxi Zhuang and Miao Lusheng, boo.