宏音斋历经吴氏家族五代人百余年传承,伴随中国民族音乐事业的发展,对中国民族管乐进行了全面的继承、创新、发展。使中国民族管乐焕然一新,统一了中国民族管乐器的制作标准,抢救、挖掘了大批濒临灭绝的少数民族乐器,复活了千年古乐器、再现了宫廷器,并研发了多种民族管乐器。宏音斋是现代民族管乐器的诞生发源之地、濒危少数民族乐器的再生之地、千年古乐的复活之地、宫迋乐器的再现之地,件件乐器记录了中国民族管乐器的发展历程,是民族管乐器发展的一部教科史书。宏音斋吴氏几代人,几十年如一日与中国演奏大师们共同合作,为唢呐标准化、系列化、现代化的发展,奠定了技术基础,开创了宏音斋对加键唢呐高中、低音全面研发的里程。使中国民族管乐器从解放初只有高音乐器,没有中低音乐器,发展到现在高音、中音、次中音、低音、倍低音,现代化、系列化的民族交响编制,装备着中国现代化的民族乐团,为中国民族音乐事业的发展做出了突出贡献。



中音加键唢呐

 中音加键唢呐

With the development of Chinese national music, Hong Yin Zhai Wu generations cooperated with virtuosos decade as if one day which lays the technology foundation for Suona’s standardization, serialization and modernization meanwhile initiates the way to the research of treble, alto and bass keyed Suona. Before the founding of new China, the national wind instruments were only in treble. However, with the efforts of Hong Yin Zhai Wu family, Chinese wind instrument now has all the tunes. The Chinese wind instrument which standardized, serialized and modernized by the Wus equipped the Chinese modern Orchestra. Hong Yin Zhai made outstanding contributions to Chinese national music.